Hotel Rwanda Film Analysis Sample Essay

Hotel Rwanda Film Analysis Essay 

Violence is the use of power or physical force to harm a person or property, causing emotional distress and physical pain to the targets and witnesses. Hotel Rwanda is a historical film that explores genocide, political corruption and the consequences of violence. Hotel Rwanda is based on the accurate tale of Paul Rusesabagina, who was a hotel manager in Rwanda. Paul was a Hutu, while his wife was a Tutsi.

In the 1990s, the ethical tension between the Hutu and Tutsi resulted in a civil. In around three months, one million people were brutally murdered. In the face of these horrible occurrences, Paul was driven by love for his family to save the lives of more than one thousand helpless refugees. He offered them shelter in the hotel. Paul negotiates his family's safety by bribing people of influence with alcohol and money. (Terry George)

Frantz Fanon advocates violence to bring about total and absolute decolonization. Fanon defines decolonization as the coming together of two forces in opposition due to each other by their very own nature that is owed to their originality. He adds that decolonization affects individuals and changes them fundamentally. It results in a state of disorder. (Fanon Frantz)

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The civil war in Rwanda can be related to Fanon's notion of violence. The civil war in Rwanda results from two tribes due to ethnic tension. The two tribes kill each other; individuals are affected and changed, making them inhuman and ruthless. For instance, in the film, when UN forces try to evacuate Paul's family and a group of refugees, they are attacked and forced to turn back. Paul is compelled to blackmail the General, and finally, his family and refugees can evacuate to safety behind Tutsi rebel lines. The war transforms Paul making him corrupt. Also, due to the war, decolonization was achieved in Rwanda. This consequence agrees with Fanon's theory of violence.

 

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Works Cited

Fanon Frantz, Richard Philcox. "The wretched of the earth." New York: Grove Press, 2004, n.d. 35-106. Internet.

Terry George, Keir Pearson. "Hotel Rwanda: Bringing the True Story of an African hero to film." New York: Newmarket Press, ©2005., n.d. internet.

Film Analysis:People of Earth and Clouds

 

People of Earth and Clouds is a documentary film aimed at exploring the role of wind music bands in indigenous communities of Oaxaca, Mexico.

 "It explores wind bands' crucial role in preserving a peaceful coexistence between villages and different ethnic groups". 

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Wind band music is composed of instruments where the sound is produced by making a column of air vibrate inside the instrument, such as the flute, the clarinet, the trombone, the tuba, the trumpet, and in the film, you can see them using drums.

 The three little girls, the twins, and the youngest one. The twins are Monica Ortiz and Mariana Ortiz that are 11 years old, with the little one Nayeli Ortiz who is nine years old

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Film Analysis: Afghan Star (Afghanistan)

How music in the context of this game show offers a way to experience democracy

 

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One of the scenes that stand apart the most was the initial scene where a little kid expresses that tuning in to music brings joy. He additionally adds that the world would be quiet if there were no music. The narrative depended on the tale of Afghanistan. Around then, this nation was attacked and savaged by the Soviet occupation, common war, ancestral and partisan threats, and the fear monger scourge of Al Qaeda. 

During the Taliban rule, the Afghan public needed to endure Islamic fundamentalism's unbending guidelines, which prohibited artistry, moving, and the playing and singing of music. The setting in the narrative that exhibits how individuals used music can be utilized to make the contention that music can be used as an instrument for change. 

Indeed, even today, following 30 years of war and strict limitations, individuals have gone to music and mainstream society for a reward. The proof shows that the film was intended to impact individuals to appreciate music to keep themselves from abhorrent exercises. 

The narrative covers a three-month portion of the opposition from the provincial tryouts to the last in Kabul. I was attracted to Lima, a contender who is a helpless lady from Kandahar, a territory thought about strictly traditionalist. She had to rehearse stealthily and fears for her life yet figured out how to introduce a fantastic exhibition that caused me to feel more attracted to her.

 Likewise, I was attracted to Setara, a 21-year-old vocalist with a yen for popularity and rebellious nature. She creates a public commotion when she moves on the stage in execution and neglects her headscarf off, uncovering her hair. She is promptly named "a prostitute" by moderate strict individuals, and demise dangers are given against her. Muslim revolt against her contempt for Sharia law attempted to apply tension on Afghan Star's producers to close the program. 

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Using artists as vehicles of social change

The artists can be vehicles of social change, much like in the narrative where the craftsman has impacted unity. Since the finalists come from various ethnic gatherings, the program can influence the sensations of Afghan solidarity.

 Moreover, the film also clearly portrays the conflict between the individuals who still are identity is impacted by the traditionalist Taliban's contempt of innovation and the anxious individuals to join the walk to a more reformist world. For these youngsters deciding in favor of the best vocalist is the nearest to a feeling of the issue here. Also, in a nation used to men using all the force, the T.V. program makes way for support by ladies and ethnic minorities, which have customarily been rejected.

The Afghan Star's last victory is its festival of inventiveness that invigorates the vocalists and empowers them to communicate authentically. Checking's narrative blends mainstream society, history, religion, and social critique into a satisfying and convincing mix that appears to be a sheer enchantment.

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